Mark Rothko
There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Read MoreThere is little for the audience to take away from Red, except the anecdotal dramatization of an event inspired by Mark Rothko’s career.
Read MoreBiographer Annie Cohen-Solal is perhaps strongest on one thread of Mark Rothko’s narrative: his experience as a Jewish immigrant.
Read MoreHarvard’s team of magicians have brought the Rothko murals back to life.
Read MoreThe Arts Fuse is pleased to announce that “In a Room With Rothko,” by Anthony Wallace, posted last year, was awarded a Pushcart Prize Special Mention in the Pushcart Prize XXXVIII Best of the Small Presses (Norton & Co, 2013).
Read MoreArts Fuse Critic (and visual artist) Franklin Einspruch reviews “Red,” a drama about Mark Rothko, and doesn’t like what he sees.
Read More“Red” is about creativity and destruction, Apollonian rigor and Dionysian instinct, fathers and sons, love and rejection, life and death.
Read More“Red” is a drama about the modern artist and his place in art history: at its center, painter Mark Rothko confronts fame and the commoditization of creativity in the world of contemporary art.
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