Marin-Alsop
That composer Anna Clyne is a gifted miniaturist is evident in “Abstractions”, a set of five movements offering musical commentary on the works of five contemporary visual artists.
Read MoreThe performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
Read MoreThe Tribeca Film Festival wrapped last week — here’s a selection of the most promising documentaries on view.
Read MoreMusic in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
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Arts Commentary: Classical Musical Chairs
The controversy over the appointment of a woman to become the conductor of the Baltimore Symphony Orchestra boils down to issues of power and gender. By Mark Kroll It’s been a tough year for conductors. In February, David Miller was in southern France conducting “Don Giovanni” with his Bulgarian orchestra when French police burst in…
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