Luis Perdomo
Listening to the superb “El Arte Del Bolero, Volume Two,” I feel that these are two masters who, while recalling their various ancestries, are talking to me.
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The saxophonist has the slithery facility of a bebopper, but I also hear something of the forthright stance of Coltrane in his playing, despite the rhythmic complexity of his writing — and his distinctively varied use of his Puerto Rican background.
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So Miguel Zenón, who on saxophone has the facility of a bebopper, which he uses discreetly, is here a singer as well as an instrumentalist.
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