Karen MacDonald
An apocalyptic backdrop gives the play urgency, especially given the current worldwide struggle to contain the Corvid-19 virus, which has already claimed thousands of lives.
Read MoreSeeing Happy Ending a few days after the shock of the 2016 presidential election felt bracing to me.
Read MoreTragedy isn’t when evil triumphs, but when good becomes entangled in its own inevitable contradictions.
Read MoreWe intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.
Read MoreSupplementing Eugene O’Neill’s high drama is a subtle score of music and sound created by Dewey Dellay, an Elliot Norton Award winner for Outstanding Design.
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