Karen Cargill
Karina Canellakis’s tour through Bartók’s “Bluebeard’s Castle” showed why she remains a conductor who continues to exercise a remarkable interpretive power.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Karina Canellakis’s tour through Bartók’s “Bluebeard’s Castle” showed why she remains a conductor who continues to exercise a remarkable interpretive power.
Arts Commentary: The Last Laugh — Stephen Colbert, Comedy, and Cultural Resistance