Josh O’Connor
This well-done mystery supplies an insightful look at how money, politics, and religion have become intertwined—and where that may be taking us.
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“The Mastermind” points to the impossibility of trying to live as though the outside world and its politics don’t exist.
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“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.
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If “La Chimera” is a bit harder to penetrate than the director-writer’s previous works, it boasts some captivating passages and raises pertinent questions about art, history, globalism, and national identity.
Read MoreI enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner