John Singer Sargent
Was John Singer Sargent just a talented flatterer of his wealthy patrons or was there more to him?
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The MFA’s Fashioned by Sargent alludes — only at whisper level — to the fact that many of John Singer Sargent’s clients represent questionable ideals.
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Is the artist’s direction of clothing choices — and how he painted the garments — a sufficiently compelling inquiry in which to anchor an exhibit?
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The allure of Venice, as crafted by Venetian artisans, seduced American artists and collectors, who traveled across the world and brought back their prizes to American homes and eventually to museums.
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Paul Fisher’s back-and-forth tease about John Singer Sargent’s sexuality starts out as intriguing, then becomes distracting, and finally irritating as the biographer never quite closes in on his targets.
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By digging deep into Thomas McKeller, the Gardner Museum has not only resurrected a lost figure (and lost music, and “lost” art) but revealed and contributed to an ongoing history.
Read MoreAt times I leave off my avid samplings of one entrancement after another in a great museum. Instead, I make a pilgrimage dedicated to a single work, such as John Singer Sargent’s intoxicating woman in white in “Fumée d’Ambre Gris” at the Clark Art Institute in Williamstown, Massachusetts.
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Visual Art Commentary: Boston and Sargent, For Better, For Worse.
Boston’s veneration of John Singer Sargent is awkwardly implicated in the city’s habit of denouncing modern art.
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