Johanna Drucker
The political and feminist works of the ’60s and ’70s make the case for Miriam Laufer’s place in the annals of post-war American modernism.
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Book Review: “Nobody’s Girl” — An Emotionally Wrenching Horror Story
December 13, 2025
Theater Review: Working Up a “Hedda” Steam
December 13, 2025
Book Review: “Racebook” — Internetting While Black
December 13, 2025
Film Review: “Eternity” — A Rom-Com Stuck in Limbo
December 12, 2025
Popular Posts
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
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