Jesse Garlick
Come for the frolic and high energy professional stagecraft; stay to experience this creative ensemble’s answer to: Who the hell are we, facing the end?
Given all the chaos and violence around us, isn’t it a mite too late for a subtle play like “Our Town” to be considered a “primal scream?”
This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
In our intersectional age, the stories of the fools of Chelm belong on the shelves of any child with a taste for the ridiculous and — with the clarity of kids — an ability to see through self-delusion.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic