Jess Foster
Jess Foster’s clever script takes the trope of “cars are like women” to its logical, though unexpected, extreme.
Self-production, I think, is for artists who also are entrepreneurs who have a burning desire to get their voice heard.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Jess Foster’s clever script takes the trope of “cars are like women” to its logical, though unexpected, extreme.
Self-production, I think, is for artists who also are entrepreneurs who have a burning desire to get their voice heard.
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