Jean-Yves Thibaudet
A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.
It’s a rare treat to hear these three Francis Poulenc sonatas on a single program.
The tradition of hybrids is there, for anyone who chooses to use it. Our modern media world makes that tradition accessible in hitherto unimaginable ways.
Music Commentary Series: Jazz and the Piano Concerto — Balancing Acts at Symphony Hall
What makes pianist Jean-Yves Thibaudet an ideal interpreter of Ravel’s Concerto in G is his understanding of and appreciation for jazz.
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