James Ursini
Film noir’s penetrating, knowing diagnosis of, and response to, corruption and venality prepares us for the dank turpitude that lurks in places both highfalutin and hidden.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Film noir’s penetrating, knowing diagnosis of, and response to, corruption and venality prepares us for the dank turpitude that lurks in places both highfalutin and hidden.
Arts Commentary: The Last Laugh — Stephen Colbert, Comedy, and Cultural Resistance