Igor Levit
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
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A major release by a pianist who, just in his mid-thirties, is already one of the most intelligent and satisfying musicians on the circuit.
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Uri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.
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