Honor Swinton-Byrne
Joanna Hogg refuses by aesthetic principle to put a lot of inflection into her scenes, steering them away from melodrama and even heated drama. As a result, some episodes are half-baked, sketchy, and flat.
Read MoreVerisimilitude is rarely a meaningful measure by which to judge a film, but The Souvenir is obsessed with exploring the line between documentary and narrative, reality and art.
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