Holocaust

Theater Review: Elie Wiesel’s “Choice” — A Tragic Parable About Loss

April 14, 2015
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Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.

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Book Review: “A Brief Stop on the Road From Auschwitz” — Destined to Become a Classic

February 23, 2015
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Göran Rosenberg has written a calm yet passionate account of events after Auschwitz, a memoir marked by great intelligence and equally great emotional intensity.

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Book Review: “Landscapes of the Metropolis of Death” — A New Language for Living with Auschwitz

September 30, 2014
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Otto Dov Kulka’s exploration of the time he spent in Auschwitz as a child won the 2014 Jewish Quarterly-Wingate prize, one of the judges calling it “the greatest book on Auschwitz since Primo Levi.”

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Film Review: “In Darkness” — Not Just Another Holocaust Movie

March 12, 2012
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Twenty-one years after she received a Golden Globe for “Europa Europa,” director Agnieszka Holland returns with another uncompromising vision of perseverance and the power of human connection in the worst of times.

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Book Commentary: The Emperor of Lies = The Emperor’s New Clothes?

September 6, 2011
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Should we fictionalize the Holocaust? This is not only a literary question, but a moral one as well, issues raised by the publication of the translation of “The Emperor of Lies,” a novel about the ways in which the Jews in the Lodz ghetto struggled to survive the Nazis.

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Of Madness and Murder

January 10, 2006
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A brilliant new novel explores how the search for his family’s fate during the Holocaust nearly costs a man his sanity. “Götz and Meyer” by David Albahari. Translated from the Serbian by Ellan Elias-Bursac. (Harcourt, 176 pp., $23) By Tess Lewis “We need so little to imagine another world, don’t we?” asks the narrator of…

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Dance Review: Dance Against Atrocity

November 15, 2005
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Audacious as it sounds, a new dance work by an innovative choreographer explores how human beings have expanded our ability to articulate the nature of crimes against humanity. “Small Dances about Big Ideas” by the Liz Lerman Dance Exchange Company. By Debra Cash It was counterintuitive, to say the least, when Professor Martha Minow asked…

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