Ambitious, by turns captivating and exasperating, this sprawling book is like an enormous photomontage—that popular German art form of the 1920s—made up of textual mosaics from newspaper articles, diary entries, letters, novels, or, on occasion, FBI files.
By Tess Lewis A new novel captures the atmosphere of post-1956 Hungary from a child’s point of view. The Swimmer by Zsuzsa Bank. Translated from the German by Margot Bettauer Dembo. (Harcourt Books) In tales of exile, the stories of those left behind are rarely told. This is hardly surprising because the abandoned, when they […]