Erwin Schulhoff
This is a strongly-played effort that makes a powerful case for the vitality and worth of Erwin Schulhoff’s oeuvre, particularly his mature chamber music.
Read MoreAs nicely played as the Mendelssohn and Tchaikovsky were, I left feeling that there was something distinctly anticlimactic about the Aviv Quartet’s programming choices. I would much rather have heard the Erwin Schulhoff close the evening –- or at least heard it sandwiched between the Romantic selections.
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Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
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