Dmitri Shostakovich

Book Review: “Time’s Echo” — Listening to the Voices of the Past

December 26, 2023
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Jeremy Eichler calls on hearers to engage in “deep listening,” by which he means engaging the mind and heart not just with the music, but also with the historical, cultural, and artistic contexts that gave rise to it.

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Classical Album Review: Igor Levit’s “On DSCH” — Exhausting But Astonishing

February 14, 2022
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A major release by a pianist who, just in his mid-thirties, is already one of the most intelligent and satisfying musicians on the circuit.

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Classical Album Review: Andris Nelsons Conducts Shostakovich

September 2, 2021
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Interpretively, this installment in the BSO’s cycle of Dmitri Shostakovich’s fifteen symphonies is occasionally (and a bit surprisingly) spotty.

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Concert Review: Boston Symphony plays Mozart and Shostakovich

February 2, 2018
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Despite Shostakovich’s often-dissonant approach, the Fourteenth has always been highly-regarded if infrequently-played.

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Concert Review: Beethoven and Shostakovich at Symphony Hall

October 3, 2017
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One of Andris Nelsons’ great gifts as an interpreter is his ability to shape and develop large-scale musical forms.

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Classical Music Review: A Bleak “Black Monk” at Tanglewood

July 25, 2017
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It is my sad duty to report that an evening which looked so promising was hardly a worthy homage to an important musical figure of the 20th century.

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Classical CD Review: Great Performances — “Under Stalin’s Shadow,” vol. 2 (Deutsche Grammophon)

May 27, 2016
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That Shostakovich left such a musical testament is, in its own way, miraculous; and it continues to speak to us with immediacy and power.

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