Diana Seave Greenwald
Betye Saar’s assemblages and travel sketchbooks are rich in references and symbols; they are mysterious and introspective, more spiritual than political.
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Theater Review: “Primary Trust” — Dramatizing Acts of Random Kindness
September 20, 2025
Concert Preview: Cowboy Junkies — On This Tour, Looking Back With Pleasure
September 20, 2025
Popular Posts
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
Music Remembrance: Singer-songwriter Nanci Griffith (1953-2021)
September 14, 2021
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- Cj Kelley on Jazz Concert Review: The McCoy Tyner Legacy Band — Nuances in the Torrent
- Penny Phillips on Concert Review: A Celebratory Tedeschi Trucks Band at Boston’s Orpheum Theatre
- Bonnie K. Jones on Concert Review: The Outlaw Music Festival — Music as a Unifying Force
- Juan on Film Review: “Superman” — It’s a Bird, It’s a Plane, It’s a Mess
- Martin Luckmann on Theater Interview: “Investigating the New” — Actor/Director Vincent Murphy Reflects on Life and Theater
Book Review: “Isabella Stewart Gardner: A Life” — Less Intriguing But Even More Mysterious
As befits an official biography, Silver and Greenwald approach their subject with decorum and respect: they neither hide nor emphasize potentially controversial elements, carefully outlining the sources of money in Isabella’s family and the old Boston Brahmin fortune of her devoted husband.
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