Davis Robinson
My point is obvious: real estate is key to the survival of the small theater scene.
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This is an indelibly zany concoction: part homage, part esprit de corps, part meditation on screwball comedy as a form of modest but invigorating cheer.
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To be with Larry was to be part of his family. If you passed muster, you were friends for life. And Larry had a LOT of friends….
Read MoreWild Williams is a marvelous antidote for the formulaic.
Read More“For artists involved in doing ensemble devising, there is tremendous value in the creative challenge on every level.”
Read MoreBeau Jest’s playful Apt 4D offers a wonderful opportunity to celebrate the creativity and imagination of the truly extraordinary theater troupe.
Read MoreWe do it for the joy and communitas of making theater together much as we do for responding to the world around us through art.
Read MoreTennessee Williams’ stature amongst American playwrights may be more secure then it was when he died in 1983, but companies like Beau Jest, when they stage inspired productions of previously neglected works, are expanding our appreciation of what kind of a dramatist he was.
Read MoreBeau Jest Moving Theatre has returned to the early, one-act version of Williams’ script, and created a sometimes pleasant, sometimes nightmarish dreamscape.
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Theater Preview: Beckett, Williams, Beau Jest, and “Last Call” for Provincetown’s Tennessee Williams Festival
When Beau Jest Moving Theatre heard this was to be the last fully-produced year of the Provincetown Tennessee Williams Theater Festival, and that this year’s theme was Last Call — a look at the work of Williams in conversation with the work of Samuel Beckett — we knew we wanted to be a part of it.
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