Central Square Theater
Dramatist and director Wesley Savick faces a number of fascinating but formidable theatrical challenges, and the generally compelling Yesterday Happened (how could it not be, given its story?) takes an honorable, visually striking swipe at the problems.
Read More9/11 has inspired a number of movies and TV documentaries, but theater works about the event are rare. What are dramatists and theater companies afraid of?
Read MoreIn his book Amusing Ourselves to Death, Neil Postman argues that American culture is becoming dumber and dumber—plays like Matt & Ben suggest that we have entered the afterlife. Matt & Ben by Mindy Kaling and Brenda Withers. Directed by M. Bevin O’Gara. At the Central Square Theater, 450 Mass. Ave., Cambridge, MA, through August…
Read MoreMay is usually a so-so respite before the summer season revs up, but there’s some interesting productions popping up, including Propeller Theatre Company’s all-male versions of Shakespeare’s Richard III and The Comedy of Errors, Amy Brenneman’s autobiographical show Mouth Wide Open, and an opportunity to see J. M. Barrie take it on in the chin…
Read MoreThis farcical stage version of the classic Sherlock Holmes novel teems with physical humor and visual gags while retaining the basic storyline of the complex original version. The Hound of the Baskervilles, by Steven Canny and John Nicholson. Directed by Thomas Derrah. Presented by Central Square Theater, at Central Square Theater, Cambridge, MA, through August…
Read MoreBy Bill Marx Summer has never been a time for theaters taking chances and the sluggish economy only encourages the hot weather drift to safety. But there’s some funky activity around the margins as well as encouraging news about Shakespeare & Company’s finances. Also, the Gloucester Stage Company has forsaken last year’s geriatric lineup and…
Read MoreA recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the…
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