Central Square Theater
Overall, this is a satisfying production of a turn-of-the-century play that still underlines enduring economic inequity.
This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
As the run continues, the torrent of gags will probably settle into place and proper narrative rhythms emerge. But for now, the game’s aground.
This is a rare script that focuses, equally, on emotional depth and scientific wonder.
This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
You don’t have to be a math wiz to enjoy Lauren Gunderson’s engaging historical drama, which has been effectively staged by director Debra Wise.
A valentine card is touching because it is short and sweet. A valentine play — even at 90 minutes with no intermission — wears out its affectionate welcome.
Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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