Central Square Theater
Overall, this is a satisfying production of a turn-of-the-century play that still underlines enduring economic inequity.
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This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
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As the run continues, the torrent of gags will probably settle into place and proper narrative rhythms emerge. But for now, the game’s aground.
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This is a rare script that focuses, equally, on emotional depth and scientific wonder.
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This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
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You don’t have to be a math wiz to enjoy Lauren Gunderson’s engaging historical drama, which has been effectively staged by director Debra Wise.
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A valentine card is touching because it is short and sweet. A valentine play — even at 90 minutes with no intermission — wears out its affectionate welcome.
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Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
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Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.
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At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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Arts Remembrance: In Memoriam — Tom Stoppard