Caldwell-Titcomb
By Caldwell Titcomb Note: Rusalka is transferring to the West End’s London Coliseum from March 28 to April 15, 2020. Czech opera is not often mounted in these parts. The two major composers were Bedrich Smetana (1824-84) and Antonín Dvořák (1841-1904). The latter wrote ten operas, some comic and some tragic. Among Czech natives, the…
Read MoreBy Caldwell Titcomb Conductor Benjamin Zander celebrates the 30th anniversary of the Boston Philharmonic and his 70th birthday. The two greatest post-Brahms symphonists – Gustav Mahler and Jean Sibelius – were markedly unalike. In 1907 their paths happened to cross in Helsinki, and they had several conversations. When the talk turned to the essence of…
Read MoreBy Caldwell Titcomb Some of the dancing feet in a scene from the Boston Conservatory production of “42nd Street.” I don’t know about you, but I’ve always been a sucker for tapdancing – whether the unsurpassed solo hoofing of the late Gregory Hines (1946-2003) or an entire stage of unison clickety-clacking. Tapdancing was a stage…
Read MoreBy Caldwell Titcomb Chinese pianist Lang Lang can play the heck out of Chopin. When I first heard Chinese pianist Lang Lang, he was a teenager. He displayed plenty of virtuosity, but without an idea in his head – and the music chosen was not worth anyone’s time. He had begun lessons at three and…
Read MoreBy Caldwell Titcomb Pianist Angela Hewitt is welcome to visit Boston whenever she chooses. For some years professional musicians in London have been urging me to get acquainted with the pianism of Angela Hewitt. I was finally able to catch up last Sunday when she made her Boston debut at Jordan Hall under the auspices…
Read MoreBy Caldwell Titcomb NEW YORK, NY: Founded in 1971, the Theater Hall of Fame inducted the usual eight new members at a January 26 ceremony in the Gershwin Theatre. Actress Dana Ivey officiated at the 38th annual celebration as Mistress of Ceremonies. Inductees are voted on by the nationwide American Theater Critics Association and living…
Read MoreBy Caldwell Titcomb One of the most engrossing concerts in ages took place on January 22 in the new 365-seat Distler Performance Hall at Tufts University, thanks to tenor Charles Blandy and pianist Linda Osborn-Blaschke. No Schubert. Schumann, Brahms or Wolf. Instead we were treated to an entire program of rarities, most of which I…
Read MoreBy Caldwell Titcomb NEW YORK CITY–Nearly thirty years ago – 14 December 1979, to be exact – the estimable Negro Ensemble Company (NEC) opened at its off-Broadway venue a play by one of its actors, Samm-Art Williams. Entitled “Home,” the production proved one of its major hits, and was extended thrice its scheduled run to…
Read MoreBy Caldwell Titcomb Who stands at the top of the American musical theatre? Many people will at once cite Rodgers & Hammerstein. They were indeed illustrious collaborators, and produced eleven works for the stage starting in 1943. But only four of these are top-notch: “Oklahoma!,” “Carousel,” “South Pacific,” and “The King and I.” The master…
Read MoreBy Caldwell Titcomb The scientist Spalanzani (tenor Neal Ferreira) strikes an unlikely deal with the nefarious inventor Coppélius (baritone Gaétan Laperrière) in the BLO’s fine production of “Tales of Hoffmann.” One of history’s most famous and beloved French operas wasn’t written by a native Frenchman. “The Tales of Hoffmann” came from the pen of Jacques…
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