Boston Philharmonic Orchestra
“There’s nothing better to do on Friday night than hear this orchestra play. What else would people do that would be better? Of course, people get very excited about the sports teams – and most of them lose. But this orchestra never loses. It wins every game!”
Read MoreUltimately, on some level, the Boston Philharmonic Orchestra’s performance of Bruckner Ninth functioned as a study in approaching the unknown (and unknowable) with humility.
Read MoreThe Boston Philharmonic Orchestra was violinist Liza Ferschtman’s equal partner for much of the performance, imbuing Alban Berg’s dense orchestral writing with warmth and shapeliness
Read MoreAn admiring review of the latest disc from Hermitage Trio and praise for Boston Philharmonic and Boston Philharmonic Youth Orchestra concerts earlier this month at Symphony Hall.
Read MoreFew conductors in Boston have a feel for late Mahler the way Benjamin Zander does.
Read MoreThe season-long celebration of the fiftieth anniversary of Benjamin Zander’s debut as a conductor, which gets underway later this month when the Boston Philharmonic Orchestra (BPO) returns to the stage, doesn’t stint on festive spirit.
Read MoreThis was an epic performance of an epic piece, steeped in Brucknerian character.
Read MoreViolinist Liza Ferschtman and the Boston Philharmonic Orchestra’s account of Beethoven’s Violin Concerto lacked nothing for momentum and spirit.
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Classical Critic’s Notebook: Sergei Rachmaninoff’s Symphony No. 2
Whatever Rachmaninoff’s conflicted feelings about writing symphonies were, there’s nothing ambiguous about the content of his Second Symphony. From start to finish, it’s a marvel of melodic freshness and brilliant instrumentation.
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