The Real Thing’s discussion of linguistic precision may be telling now in ways that dramatist Tom Stoppard may not have anticipated.
Bad Habit Productions
The summer season winds down with (too) many of the usual crowd-pleasers, enlivened by a couple of world premieres, a re-vamping of an Oscar Wilde warhorse, and an encounter with non-being, courtesy of Edward Albee. By Bill Marx The Taster by Joan Ackermann. Directed by Tina Packer. Staged by Shakespeare & Company at the Founders’ […]