Anna Clyne
Composer Anna Clyne’s collection of works for mostly solo instruments offers enormous musical satisfaction; pianist Isata Kanneh-Mason knows how to craft an enticing program and advocate for it.
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Composer Anna Clyne’s new disc displays her maturity as a composer and brilliance as an orchestrator; pianist Simone Dinnerstein builds a number of bridges between Philip Glass and Franz Schubert; pianist Hélène Grimaud’s interesting program is marred by some uneven Mozart.
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Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
Read MoreFeel free to disagree, add to them, come up with your own list, etc. Above all, enjoy!
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Rethinking the Repertoire #2: Anna Clyne’s “Night Ferry”
Night Ferry proves to be an ambitious, absorbing score, filled with music of great color, vitality, and expression.
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