Amy Adams
Perhaps director Marielle Heller decided that “Nightbitch”‘s unusual premise had to be balanced with a decorous storytelling trope.
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What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?
Read MoreWalter is pure evil. Margaret is pure good. And that is Big Eye‘s undoing.
Read More“American Hustle” has its flaws, major and minor, but it’s very entertaining and contains some great performances, especially by the female cast members.
Read MoreDirector Paul Thomas Anderson doesn’t provide answers nor does he pose questions: the ambiguity of his characters and his confounding storytelling style are what drive “The Master.”
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Arts Commentary: From the Editor’s Desk — By Popular Demand, 2025