Alice Sedgwick Wohl
Recent Posts
Theater Review: The Limits of “Wonder”
January 2, 2026
January Short Fuses — Materia Critica
January 2, 2026
Weekly Feature: Poetry at The Arts Fuse
January 1, 2026
Film Review: Resurrecting the Dream — Bi Gan’s “Resurrection”
December 31, 2025
Popular Posts
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
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- Gabor Andrassy on Jazz Review: Thelonious Monk’s: “Les liaisons dangereuses 1960” – Times Retrieved
- Joan Lancourt on Arts Feature: NightWood at The Mount — A Magical and Deeply Spiritual Experience
- Emily Parker on Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
- Tony Crow on Film Review: “God’s Country” — Who is to Blame?
- Kathleen Mary Blum, 78 years, D Maths Ed, M Ed St, B Sc, ex professional violinist on Book Review: Franz Liszt — Piano Man
Book Review: “As It Turns Out” — Not Enough About Edie and Andy
Alice Sedgwick Wohl has a disturbing tendency throughout the book to back away from her points even as she makes them, as if afraid she will find herself trapped in some politically incorrect cul de sac or just a bad neighborhood.
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