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Fuse Concert Review: Boston Baroque at Sanders Theater, January 1, 2012

January 2, 2012
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Boston Baroque closed out 2011 and began 2012 with an engaging program of pieces by Corelli, Handel, Bach, and Vivaldi that featured some rather unfamiliar instruments and repertoire. Martin Pearlman, the group’s founder and music director, conducted this thoroughly enjoyable concert.

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Theater Commentary: Yeasayers Beware

August 13, 2007
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The caricature of the theater critic as spoilsport still pops up, pushed by rescuers of the “injured” who enjoy delivering self-congratulatory whippings. No naysayers are allowed –- it hurts business. For once, how about looking at the ways that yeasayers do a disservice to theater and the craft of criticism? By Bill Marx Are theater…

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The Arts on Stamps of the World — November 21

November 21, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Book Review: “In Certain Circles” and “The Last Lover” — The Powerful and The Disappointing

September 22, 2014
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Elizabeth Harrower’s In Certain Circles is a stunning novel about class and marriage and power; Can Xue’s The Last Lover is a tedious surrealistic farce.

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Book Review: “The Wildes” — Oscar Wilde’s Family Values

September 17, 2024
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If you want to tell people the truth,” quipped Oscar Wilde, “make them laugh, otherwise they’ll kill you.” Louis Bayard’s novel offers a compelling vision of what happened to Oscar and his family when the laughter stopped.

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Book Review: A Powerful Remembrance of the Cambodian Genocide — “The Elimination”

March 11, 2013
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Ultimately, “The Elimination” is less a literary effort than an act of witness by both writer and reader.

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Visual Arts Feature: The Dutch Identity Crisis

January 13, 2008
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By Gary Schwartz Is there or is there not such a thing as “the Dutchman?” My fellow immigrant Princess Maxima thinks there is not, but since she dared express that opinion in public last September, she has been subjected to an ongoing barrage of reprimands. Indeed, since the brief era of Pim Fortuyn, public discourse…

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Book Review: “Play the Way You Feel” — Jazz on Film, Music and Myth

May 4, 2020
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Play The Way You Feel is the best volume around on the uneasy relationship between film and jazz.

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Film Review: “Challengers” — Match Point

May 4, 2024
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“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.

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Jazz Album Review: Tony Williams’s “Play or Die” Gets Full Release, 40 Years On

September 5, 2022
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The shadow of Weather Report looms over this groove session of consonant harmonies, the only documentation of a short-lived band that should have had the chance to burn more brightly.

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