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Film Review: “Joker” — Here Come the Killer Clowns

October 3, 2019
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Screenwriter-director Todd Phillips knows well what he is doing in the calculated way he escalates the bloodshed in Joker.

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Theater Commentary: An Open Letter — to the “Open Letter”

June 9, 2019
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The media big boys should be part of the discussion, if only because they have the resources to change the situation for the better.

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Film Review: “The Clovehitch Killer” — Sinister at Face Value

October 17, 2018
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The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.

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Book Review: “Playing Changes” — Redefining Jazz

December 13, 2018
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This volume is clearly critic Nate Chinen’s resounding response to the “jazz is dead” chant.

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Film Review: M. Night Shyamalan’s Broken “Glass”

January 19, 2019
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M. Night Shyamalan turns the trilogy topper he needed to make after Unbreakable and Split into a preposterous group therapy session.

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Fuse Interview: Linda Hirshman on How Female Supremes Changed the World

November 10, 2015
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“The question is what piece of the American experience is next going to add the richness of its voice to the Supreme Court.

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Book Review: “Love Illuminated” — Navigating the Romantic Seas

February 22, 2014
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Daniel Jones is a beguiling writer, with a wonderfully irreverent way of addressing one of life’s most serious sources of joy and disappointment.

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Author Interview: Historian Maureen Ogle on the American Mystique of Meat

February 22, 2014
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“If, as a reader, you’re expecting the standard rap on meat, then, well, you’re in for an unexpected history.”

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Music Commentary: Free-For-Alls Bode Well for Jazz’s Future

September 17, 2013
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The obvious question is how can such a sprawling free festival – and the nightly fireworks shop that capped two of the nights – happen in such a cash-strapped city?

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Theater Interview: A Conversation with Artistic Directors Olivia D’Ambrosio and Joseph Rodriguez

September 12, 2013
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Teaming up allows Bridge Rep, as a new company, to do a much, much bigger show than we might ordinarily be able to do: we can offer our audiences a large ensemble piece like The Libertine, which would be beyond our reach otherwise.

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