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Some fiction can, literally, have the smell of too much research. And so, although I admire the ambition and scope of Audrey Schulman’s new novel, “Three Weeks in December,” I also feel that she made things harder for herself than she needed to.
Read MorePeter-Adrian Cohen, playwright, critic, and late-life friend, died early in March, in Zurich, age seventy-six.
Read MoreIn the theater, sentiment must be earned – Violet is moving and likable, but its pathos is only skin deep.
Read MoreThere has never been a better time in America to reconsider the importance of television’s role in the political discourse.
Read MoreWith this one project, Boston has gone from a public art also-ran community to a serious cultural player.
Read MoreMoses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative
Read MoreAfter hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
Read MoreRoosevElvis turns out to a sort of slaphappy homage to two American legends, a genial romp that sticks to stereotypes.
Read MoreZaha Hadid’s futuristic designs will shape the imagination of generations to come.
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Rethinking the Repertoire #2: Anna Clyne’s “Night Ferry”
Night Ferry proves to be an ambitious, absorbing score, filled with music of great color, vitality, and expression.
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