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A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
Read MoreThe Love Witch is sure to be one of the year’s most talked about achievements in cinematography.
Read MoreHorror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
Read MoreThe dynamics of this splendid trio album, “a response to the division and turmoil in our world,” are gracefully balanced.
Read MoreThe Kansas City Symphony’s new Brahms album with outgoing music director Michael Stern showcases three of his works with keyboard in arrangements for orchestra; Lahav Shani’s cycle of Bruckner symphonies with the Rotterdam Philharmonic Orchestra continues with a sterling account of the Fifth.
Read MorePart of the pleasure of reviewing Skylark’s performances is to spread the word: this vocal ensemble is nothing short of amazing.
Read MoreFlamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
Read MoreA buffer between two bruised and only fitfully reflective egos, Sam finds herself in an awkward position, one which becomes increasingly untenable as lines of trust are crossed and power dynamics exploited.
Read MoreThe fact is that “Love in Taipei”’s appeal principally lies in Taipei itself: the film doubles as an extended advertisement for the city.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner