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Dance Review: “Gallim” — Extremes of Stress and Release

August 13, 2019
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Gallim specializes in depicting raw emotions through movement.

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Book Review: Female Sexuality — From a Woman’s Point of View

June 29, 2019
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Neither narrative proffers an uplifting tale of female empowerment, but that is precisely their strength.

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Television Review: “Emily in Paris” — Sacré Bleu!

October 8, 2020
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This is clearly a version of Paris written by ignorant Americans for ignorant Americans.

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Dance Review: Fernanda Ghi Dance Company — Passion, Fury, and Enigma

October 17, 2019
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Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.

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Film Review: “Working Man” — Singing the Proletarian Blues

June 22, 2020
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Working Man does an excellent job dramatizing the poverty and desperation of people who live paycheck to paycheck.

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Film Review: “Night of the Vampire” Marathon — A Bloody Good Time

September 2, 2017
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The HFA marathon is a wonderful blend of arty and popular films that span the decades and feature bloodsuckers.

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Film Review: “Aquarius” — A Woman of a Certain Age Kicks Ass

October 27, 2016
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How refreshing it is to see a female protagonist whose strength of will and character is not of the superhuman variety.

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Stage Review: “Streamers” and Imagining Violence

December 2, 2007
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War is hell, as the Boston Phoenix theater critic Carolyn Clay would have it, but she doesn’t seem to realize that the inferno is a moving target. And it is the diminishing capacity of contemporary American theater to imagine violence and its effects that interests me most about the Huntington Theater Company’s current revival of…

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Theater Review: “The Ferryman” – The Troubles, Once Again

October 30, 2018
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Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.

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Film Review: “A Woman, a Part” — Leaving the Business

January 23, 2018
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Credit director Elisabeth Subrin for being resourceful in incorporating her cast’s real-life situations into her storytelling.

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