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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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“Hot Frosty” is dumb all right, but it’s also endearing, funny, and cute.
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Time and again, Alice Fogel’s poems’ subtractions have a purifying effect, showing us a landscape or an architecture we hadn’t guessed was there.
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“Drive-Away Dolls” is the worst Coen brother movie ever made.
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Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
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Tony Kahn’s memory is extraordinary, and his talents as a writer, illustrator, and designer are prodigious.
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The animation itself is akin to what you will see in familiar domestic cartoons, such as The Simpsons, Family Guy, and Bob’s Burgers. So it’s the quirky humor that makes Koala Man uniquely Australian.
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Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.
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Stephanie Bishop does a great job withholding information and she is also good at tying together the narrative’s many loose ends.
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We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner