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Film Review: “There’s Still Tomorrow” — Hearing Women’s Voices

March 7, 2025
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Director/actress Paola Cortellesi’s “There’s Still Tomorrow” is yet another bold cinematic plea for women’s rights.

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The Arts on the Stamps of the World — January 6

January 6, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “The Gift Horse” — A Dramatic Contender

May 4, 2017
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Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.

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Film Review: Another Plea for Cormac McCarthy/Ridley Scott’s “The Counselor”

November 2, 2013
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This is one fine neo-noir, expertly directed by Ridley Scott with a host of superlative star turns from Michael Fassbender, Cameron Diaz, Javier Barden, Penélope Cruz, and Brad Pitt.

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Film Review: “Welcome to Me” — Me and TV, The American Dream

May 8, 2015
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It is Kristen Wiig’s committed performance, along with director Shira Piven’s skill at comic timing, that grounds the satiric comedy’s absurd premise.

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Film Review: “Eight Days a Week” — A Marvelous Look at The Beatles on Tour

September 12, 2016
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Unlike any other Beatles documentary, this one succeeds in presenting the hysteria of the few years when the band played live and toured the world.

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Theater Review: “Photograph 51” — Woman of Science

March 25, 2019
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A revival of Anna Ziegler’s absorbing and enlightening study of the brilliant British biophysicist Dr. Rosalind Franklin.

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Stage Review: A Tangy “Vinegar Tom”

January 15, 2013
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The Whistler in the Dark production does right by the gaunt power of “Vinegar Tom” — if only dramatist Caryl Churchill hadn’t served up such a tidily edifying coven of alleged sorceresses.

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Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”

February 6, 2014
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Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.

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Arts Remembrance: Maggie Smith

October 1, 2024
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Maggie Smith’s finest and most memorable roles drew on her genius for dramatizing the emotional complexity of outsiders.

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