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World-renowned soprano Aleksandra Kurzak’s homage to the great French soprano Cornélie Falcon is largely one to cherish.
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It is entertaining, but Lindsay Joelle’s script supplies only a tiny, sometimes contrived glimpse at a profession that deserves to be treated with more nuance and understanding.
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A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
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It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
Read MoreThe creator of the series, Mike Judge, and his team have gone to great lengths to sweat the details of the corporate landscape of San Jose and its environs. Right from the start Silicon Valley rang true.
Read MoreHaving glittery, Bettie Page-y young women clad in leather and thongs undulate to music by Tom Waits is pretty much guaranteed to work.
Read MoreWe were surprised to come upon one of the last things you’d expect to find on the Outer Cape: a French bistro and boulangerie.
Read MoreIn conductor Christoph von Dohnányi, the BSO has one of its most trusted guests and thoughtful collaborators.
Read MoreRobert Siegel has an undeniable talent for capturing the desperation and despair of his downtrodden character, but the director never tells us why he is plumbing the lower depths of America’s mania for sports. Big Fan, directed by Robert Siegel, showing at Kendall Square Cinema. Reviewed by Justin Marble Like Robert Siegel’s first script, “The…
Read MoreAlmost every visit to the WCMA has piqued my interest so strongly that I’ve often gone straight to the internet or library to read more about what I’ve seen. Edward Steichen’s 1914 photograph “Heavy Roses” by Helen Epstein The Williams College Museum of Art, set back from Williamstown’s main drag and almost indistinguishable from other…
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler