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For those who imagine Tanglewood only as concerts in the huge shed which seats 6,000, these Sunday morning concerts offer a more intimate experience as well as a chance to hear modern pieces they never would hear in what we all call the “regular concert fare,”
Read MoreAlthough the production of The Last Days of Cleopatra is at times a bit hard to follow, patient audience members will be rewarded by a profound dramatic payoff.
Read MoreThe best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
Read MoreThe Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
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A memorable evening, headlined by a superb pianist who deserves a full hall, any time, anywhere.
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Cheryl McMahon is quietly spectacular as Ida, who tries desperately to conceal her cognitive decline behind a wall of egocentric cheerfulness that borders on the frantic.
Read MorePlank is a dream play that celebrates the state of dreaming (rather than consuming).
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Any opera lover will find much to admire and enjoy in this work, based on a famous 27-strophe poem by Friedrich Schiller that Schubert set in its entirety to music.
Read MoreBy Helen Epstein Shakespeare & Company’s new director Tony Simotes is in his last week of radiation and chemotherapy for throat cancer in Boston, but he was in the Berkshires this weekend to preside over the first read-through of Richard III.
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This week’s poem: Cheryl J. Fish’s “Wind (Iceland 10)”
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler