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Knowing that artist Peter Hujar died of AIDS in 1987—one of countless casualties of a devastating epidemic that cut short so many artists’ lives—gives the film a sad, mortal urgency.
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“Summer, 1976” is a cleverly designed snapshot of a deep but fleeting friendship.
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The Arvo Pärt compositions here showcase a composer of remarkable stylistic coherence—but never dramatic complacency or creative stasis.
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Though Sibelius’s music has come to define whatever Finnish music is supposed to sound like, he certainly wasn’t the country’s only active, turn-of-the-20th-century composer.
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The authors assembled in “Crimean Fig” demonstrate they are unafraid to speak up for Tatar language and culture, while simultaneously speaking out against Putin, unwilling to submit.
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There’s no question that the author of “Criss-Cross” approaches “Strangers on a Train” from a gay-centric viewpoint.
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Reading “February 1933”, just ten months into Trump’s second mandate is nothing less than unnerving.
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True to its name, “Nirvanna the Band The Movie” is bigger and crazier than anything Matt Johnson and Jay McCarrol have ever conceived of, a feat of gonzo filmmaking that would make Werner Herzog sweat.
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Conveying the value of hope and resilience are undoubtedly important, but positing social and civic responsibility is also essential, and “Annie” clearly offers that opportunity.
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Album Review/Commentary: John Scofield and Dave Holland — “Memories of Home,” and a Scofield Retrospective
If it is possible for people to express a deep personal regard for one another through musical collaboration, that is what happens between John Scofield and Dave Holland in their upcoming release.
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