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Railroad Rhythms is one of the year’s delights: unexpected, well played, and thoroughly charming. Theodore Kuchar is a conductor who seems to know precious few limitations; Eduard Strauss, despite his champions, turns out to have been a competent writer of music for the day.
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Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.
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There were the inevitable crowd-pleasers on which Audra McDonald puts her impassioned stamp.
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Playwright Jennifer Barclay has created the perfect vehicle for generating a discussion about safety in our communities.
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It’s easy to mythologize “The Days of Wine and Roses” because this album documents a band whose lineup splintered almost immediately.
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This is a wicked and entertaining satire on the dizzying class conflicts roiling Indian society, a neo-Marxist story of masters and servants, money and corruption — a Horatio Alger tale with a devilish twist.
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A captivating and thought-provoking version of Missa solemnis from René Jacobs and his forces; the Michael Gielen Edition is one of this Beethoven anniversary-year’s highlights.
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Peter Wortsman has made a valuable contribution with this play; it is a rare theatrical account about how living through the Holocaust shaped survivors.
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Book Commentary: “Taming Silicon Valley” — Man Over AI
The kinds of regulations Gary Marcus proposes, however well-intentioned they may be, would — in practice — only end up further disenfranchising the masses.
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