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Chameleon Arts Ensemble’s rather lengthy program was like a huge feast, ending with the sumptuous Saint-Saëns’ Sonata No. 1 in d minor.
Read MoreBy Bill Marx Can’t we get our unjustly neglected American playwrights right? A chance to see a marvelous, overlooked American play of the 1950s. And it is not by the prosaic William Inge. “When something seems ‘the most obvious thing in the world’ it means any attempt to understand the world has been given up.”…
Read MoreThis handsome edition of Yves Bonnefoy’s recent poetry and prose in English translation is a stunning presentation of a major poet.
Read MoreFive strong contenders: production values are high, the actors excellent, and four are beautifully grounded in their settings –- Norway, Calcutta, and two in Ireland.
Read MoreArts Fuse Critic (and visual artist) Franklin Einspruch reviews “Red,” a drama about Mark Rothko, and doesn’t like what he sees.
Read MoreVarieté will be the tenth score composed by a Sheldon Mirowitz class and played by the Berklee Silent Film Orchestra.
Read MoreTo these eyes, Lauren Groff’s latest novel is her most accomplished yet.
Read MoreWorse, humor and irony have no place in this show’s version of virtual reality.
Read MoreSurrounded by the gilded ornamentation of the Boston Opera house, the three minimalist pieces that make up “Close to Chuck” could not be any more of a contrast.
Read MoreAuthor and Arts Fuse Contributor Helen Epstein explains why she decided to take her 1994 biography Joe Papp: An American Life and convert it into an eBook—given what may be the precarious future for the traditional book, she “wanted to save it for posterity.” By Helen Epstein. AF: Joe Papp died in 1991. Why publish…
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