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Though it’s inconsistent, Oliver Tree ‘s debut album offers an ample display of songwriting acumen along with his determined eccentricities.
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Jeremy O. Harris’s bold new play is wildly provocative and hysterically funny.
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The cumulative message of these heavy metal bands might be: “I see your pandemic, and I raise you one.”
Read MoreDoes it matter that posthumous literary darling Roberto Bolaño fibbed about his past? by Tommy Wallach My World Books review of “2666” A couple days ago, “The New York Times” published an article suggesting that Chilean novelist and posthumous literary darling Roberto Bolaño may have fictionalized aspects of his own biography. In question are two…
Read MoreOld timers Ray Davies, an ex-Kink, and Donald Fagen, ex-Steely Dan, have released surprisingly youthful solo albums. “Morph the Cat” (Reprise); “Other People’s Lives” (V2) By James Marcus “Hope I die before I get old,” declared The Who’s Pete Townshend in 1965, and certainly there have been times, during his drink-and-drug-addled middle decades, when he…
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“If my work does have a recurrent theme, it is the pressure of the political/historical moment on individual choice.”
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If only “Becoming a Man”‘s pathos were less streamlined, its theatricality more ambitious.
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With my customary determination and pluck, I’ve been able to get access to plenty of films at the London Film Fest that cover a broad spectrum of genres, budgets, and nations.
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Roadrunner: New Light, New Machine is Brockhampton’s tightest album to date.
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Design Commentary: Department of Play — Creating a New Urban Planning Paradigm
Participatory, small-scale planning is a powerful step forward because it doesn’t pay lip service to cliches about “listening to the community.”
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