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Director Jamie Lloyd’s loud and brash revival is all sound and fury, signifying nothing.
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In three books of oblique self-reflection Italian philosopher Giorgio Agamben explores and exposes the artistic and intellectual thresholds that have been central to his life and to the life of his mind.
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This portrait of Princess Diana interweaves facts with fantasies to create an impressionistic profile of a troubled woman trapped in a golden cage.
Read MoreAs a group they are exuberant, personable, immediate, which in turn makes even the meh choreography palatable.
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Two new musicals aimed at young audiences: One sings, the other yowls
Read MoreThese are good people who have grown up playing country and pop music and are committed to giving the people what they want.
Read MoreVisual Arts Review: Anne Lilly and Carrie Seid — Tapping Into the Potential of Abstraction to Puzzle
Each artist leverages the power of abstraction to bewilder in ways that provoke ideas and a variety of emotional reactions.
Read MoreNow that dramatist Neil LaBute’s scripts are being produced on Broadway he has fanned the earlier whiffs of amorality in his work away. The obscene language and provocative hooks remain, but those are not a bar to popular success (think of David Mamet).
Read MoreMany of the poems live up to the title’s shout-out to Walt Whitman, cutting through the current political miasma with fresh wit, insight, and lyrical outrage.
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Theater Commentary: The Boston Theatre Critics Association — Wasting Its Time
Recommended hashtags for the Boston Theatre Critics Association: #MeTooGiveMeTime, #MeTooNotYet
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