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An Arts Fuse regular feature: the arts on stamps of the world.
This meticulous biography of Anglo-American poet Denise Levertov is the labor of many years and of deep reflection and care.
Gilbert Kalish’s recital is as distinguished and appealing as one would expect.
In terms of the joy that theater can provide, this Speakeasy Stage production sets the bar high.
This version of “La Belle et la Bête” never commits to a through-line about how its metaphors and rich visual imagery are supposed to operate.
Sea Pictures offers, frankly, everything one might want in a song cycle: sweeping melodies, evocative scoring, stirring drama and pathos.
An Arts Fuse regular feature: the arts on stamps of the world.
Violinist Kristin Lee revels in ragtime; pianist Jihye Chang commissioned a series of keyboard etudes from eight Boston-based composers.
An Arts Fuse regular feature: the arts on stamps of the world.
Director Paul Thomas Anderson doesn’t provide answers nor does he pose questions: the ambiguity of his characters and his confounding storytelling style are what drive “The Master.”
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