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The Fallen Idol is one of the best achieved examples in cinema of seeing the world through the eyes of a child.
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Love for Nanci Griffith has empowered a hell of a record.
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With Nightmare Alley, Guillermo del Toro once again proves to be an unparalleled cinematic visionary whose commitment to craftsmanship continues to amaze.
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For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
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David Treuer’s expansive new history of native America from 1890 to the present looks with skeptical, Indian eyes from inside simplistic American symbols and narratives.
Read MoreIt’s no secret that 2016 has already been a strong year for albums featuring new and recent music: now things get even better.
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At some point during the writing of the book, Ken Turan must have realized, sadly, that the Mayer/Thalberg/MGM story has been done to death. All he could do was what he did: tell well what had been told well before.
Read MoreIt was a treat to experience Philip Glass’s orchestral music live and in-person.
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This production brings the Peterborough Players back in line with their own best traditions: entertaining, thoughtful, delightfully irreverent.
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Film Commentary: A Contrarian View of “12 Years a Slave”
Why haven’t more movies been made about American slavery? Hollywood studio racism is certainly a prime factor; but even for determined anti-racists, there’s also the aesthetic problem of creating a compelling film drama.
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