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The Arts on the Stamps of the World — June 17

June 17, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Fuse Coming Attractions: What Will Light Your Fire This Week

August 31, 2014
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Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.

Visual Arts Review: A New Fashion Statement from the MFA — Consumer Dreaming and Catwalk Preening

May 12, 2024
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This midsized MFA project is a solid bid for summer foot traffic from the fashionista demographic.

Concert Review: John Adams’ “Scheherezade.2” at Symphony Hall

March 2, 2018
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This weekend’s concert fires on all cylinders. Don’t miss it.

Classical Music Review: The BSO — A Chemistry Lesson

November 21, 2011
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It was clear from the moment Ludovic Morlot mounted the podium that he and the Boston Symphony Orchestra possess a strong chemistry: the players clearly respect him and they responded to his leadership with precision, energy, and feeling.

Fuse Coming Attractions: What Will Light Your Fire This Week

July 27, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

Film Review: “The Devil’s Bath” — The Horror of Humanity

July 1, 2024
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“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.

Poetry Review: Poet Henrik Nordbrandt — Hovering Between Banality and Revelation

March 31, 2013
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“Henrik Nordbrandt now holds a unique place in his homeland as its most celebrated national poet, who happens to have spent most of his adult life outside Denmark.”

Fuse Concert Review: Progressive Rock — Seven Hours of Celebration

June 2, 2014
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Even by the standards of prog shows, which only get close to mainstream if a Yes or Rush is headlining, these bands were largely from the underground.

Theater Review: “On the Exhale” — Wild, Angry, and Powerful

July 29, 2019
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On the Exhale is one of the most powerful and uncompromising one-person shows I’ve ever seen.

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