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Throughout these bold solo performances, pianist Chick Corea exudes confidence.
The breadth and intimacy of “Origin”‘s vision — the personal becomes the historical — is stunning, a searing portrait of collective trauma and the dark ideas that propel it.
J.S. Bach has been subjected to every imaginable kind of transcription, but the combination of mandolin, bass, and cello is probably new.
This year marks the 150th anniversary of the birth of the Black American poet Paul Laurence Dunbar, and this new biography does a thorough and compelling job in telling the story of a remarkable and partially tragic life.
Former Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
Reviews of two standout films from the 66th London Film Festival — one of the most dynamic festival programs in recent memory.
This splendid book is a love letter and a dissertation, almost a song in itself.
Javier Perianes is a musician of sweeping, Romantic sensibilities, eager to take a stand, and the result is a triumphant recording
“Too Much”‘s swings from comedy to tragedy generate considerable whiplash.
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