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Themes of class, race, and artistic appropriation reminiscent of “American Fiction” lurk beneath “Crumb Catcher”‘s generic conventions.
Read MoreAlan Ayckbourn’s Absurd Person Singular is a comedy of total narcissism — belly-laugh jokes accompanied by a cold cruelty.
Read MoreOpera CD Review: Gunther Schuller’s Splendid 1970 Children’s Opera Gets Its World-Premiere Recording
A Grimm, but not grim, opera about a Fisherman, his Wife, their Cat, and a wish-granting Flounder.
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More than skin deep, and not as sentimental as it might first appear, Rachel Portesi’s adoption of Victorian techniques is appropriate to the themes of loss and change she sets out to explore.
Read More“There were times when I felt as if I were perpetually stuck, like in that film, ‘Groundhog Day,’ in the spring of 1992 just as Bosnia was careening into conflict. At one point I went to Sarajevo to visit friends and was relieved, indeed surprised, to find that while I had been re-living the war over and over, the city was gradually rebuilding and leaving the war behind.”
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Some of the most insightful and moving parts of the biography are Neeli Cherkovski’s personal recounting of his on-again off again relationship with Charles Bukowski.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Singular folksinger Karen Dalton never made it to the big time. A new documentary suggests why.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?