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It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.”…
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At this year’s Toronto International Film Festival, there were celebrities, studio premieres and plenty of films with modest budgets that vied for attention.
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Director Monia Chokri finds a language for communicating Sophia’s desire without putting her body on display.
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Jennifer Ratner-Rosenhagen’s The Ideas That Made America provides an exciting, if quicksilver, tour through intellectual history.
Read MoreResidences are such a prominent feature of contemporary creative life that there’s an important gathering, the TransCultural Exchange’s Conference on International Opportunities in the Arts.
Read MoreIf the verse in UNSEEN HAND refuses triumphant fictions, there is an attentive, persevering dignity in its preference for seriality. Because these recurring poems recreate our being in the world, they are powerful tools for returning to it.
Read More[Updated.] Arts Fuse critics select the best in music, theater, and film that’s coming up this week. A new feature!
Read MoreIsaiah Sheffer’s lasting contribution will be his almost single-handed revival of interest in that most beguiling of fictional forms, the short story.
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It is ironic — but understandable — that 50 years ago only a handful of people experienced what has become one of the iconic happenings of 20th century art.
Read MoreIf there is such a thing as world music, this is it.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler