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Lamb of God’s show at the MassMutual Center was as spirited, fierce, and technically dazzling as any that the group has brought to these parts over the past two decades.
Read MoreAmy Leach’s book may help you understand the rewards of Christian fundamentalism for its followers — and how much richer a non-fundamentalist life can be.
Read MoreAudiences who are open to a show that provides both riotous comedy and bracing truths will find plenty to think about in this deconstruction of one of the Bard’s most problematic problem plays.
Read MoreCSC pulled out all the stops for its turn at The Tempest, bringing together a cast that is more than up to the challenge of knitting together poignant drama and madcap comedy.
Read MoreSemyon Bychkov and the Czech Philharmonic do justice to a lot of Tchaikovsky’s orchestral music, while John Eliot Gardiner and the London Symphony play Robert Schumann’s famously-dense orchestrations with clarity. But Michael Stern’s account of The Planets completely lacks mystery.
Read MoreIf the creators of Flesh and Bone want to whip upanother trite soap opera, that’s their prerogative. But hush about the “realism.”
Read MoreEach of the ten or so music-less sections showed us a different way of composing movement.
Read MoreOne of the lessons of the Dead of Winter series at the Brattle Theatre:”The occult is one of many tickets to the revolution.”
Read MoreMembrane: Biology and Art is a wonderfully conceived and curated show.
Read MoreYou’re not supposed to look for deep meaning in this often-revised jumbo of a ballet.
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Arts Feature: Best Movies (With Some Disappointments) of 2025