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“Fun Home”‘s relevance not only lies in how it flawlessly interweaves three storylines that revolve around the same character, but how it dramatizes, with grace, humor, and pathos, a familiar human struggle — looking at our parents through adult eyes.
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Virginia Giuffre’s memoir is a grim indictment of Jeffrey Epstein and the cruel and powerful men (most of them still unnamed in public) who were his clients.
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A trio of holiday stories— two celebrate friendship, one features a stagestruck chicken.
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Two good reads: Boston harmonica player Jerry Portnoy’s memoir is an unflinching look at life as a sideman musician; the other is a history that shows how, without the Black stars he heard in Memphis, there would have been no Elvis or rock ‘n roll as we know it.
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Lettuce is pushing funk forward, drawing on what has come before (Tower Of Power) and making some distinctive changes.
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Two versions of “Hedda Gabler” — one gratifying, the other gauche.
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Why was the original production of Merrily We Roll Along such an abysmal failure and how did it turn into a hit? Does the new film succeed in capturing the magic of the hit Broadway revival (and is that even possible)?
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For heavy music fans, the Saddest Day was a very good day.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Arts Feature: Best Movies (With Some Disappointments) of 2025
Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
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